Tag Archives: art deco

fond farewell.

The Goblin Charms project has been going really well the last couple of weeks. I got the stickers with Phil’s goblin drawings for the packaging. My rubber stamp technique is much improved, and there’s only a small pile of discarded smudged box tops. Best of all, I’ve been incredibly happy with the things I’ve been making. Several Lucite pieces have sold, and all of the glass pieces I’ve made so far except one have been claimed.

For the most part, I’ve not taken more than a couple of photos of these pieces. There’s a piece I made this week, though, that is extra special and I’ve taken dozens of pictures trying to capture it. None of them are exactly right, but I’m out of time to keep trying. The earrings have sold and are on their way to their new owner, with my gratitude and affection.

Velella Earrings 1.47

Velella is made with two rare antique molded glass Art Deco beadcaps, and my last handful of luminous vintage opalescent glass spacers. These beads represent two of my most beloved earlier designs.State Street Earrings 1.24855459

The purple beadcaps were used in a pair of earrings I called State Street. The caps hung from brown steel retaining rings, which were suspended from oxidized sterling silver chain. I had about a dozen pairs of these beauties, and when I was down to my last pair of caps, I squirreled them away for something special.

dream of the fisherman's wife earrings

Dream of the Fisherman’s Wife is my favorite pair of earrings I’ve made, ever. They were so, so beautiful, and I’ve have gone on making them forever if I could find the beads. But this is vintage life, and nothing lasts forever. They were a cascade of opalescent beads in a flattened bell shape, hung from a length of darkly oxidized sterling silver chain. Fluttering above the bead cluster were two vintage brass stampings in a curly wave shape. I applied heavy verdigris patina to these to give them an aged, green look. Between the grit of the metal, and the luminous pearly grey of the glass, something utterly magical happened. I loved them.

dream of the fisherman's wife earrings - Nicole Young

When it came time to say goodbye to the last elements of these designs, I gave them the very best send-off I could: I put them together. Velella is a decadent, glowing Art Deco jellyfish, both gritty and delicate. I’m so happy with this design, and I hope her new owner will be, too.

Velella Earrings 2.13

blaugust #15: gimme that old time sparkle.

I spent a lot of time today cleaning up my work trays and putting supplies back where they belong. In the process, I found part of a necklace I’d started making a while back, inspired by something Lady Mary wore on Downton Abbey. The piece had never been finished – probably because I’d just lost track of it in the shuffle. So I played around with it a bit, and the result is a new necklace with a distinctly 20’s flavor.

Lady Mary necklace, due to appear at Leaves of Glass next week.

Lady Mary necklace, due to appear at Leaves of Glass next week.

That got me thinking about jewelry and costumes in several different period dramas that I like. This necklace has flapper elements, but it’s nowhere near long enough to really deserve that name. My favorite antique necklaces are the insanely long and heavy cut glass flapper necklaces from the Art Deco period, often worn tied in a loose knot, or with a beaded tassel at the end. You can feel the weight of them when you look at them, and they’re just sooooooooo glittery. I’ve always intended to recreate one someday, but so far I have yet to have enough of one bead to do it. Most of my materials come in limited, small batches.

Thinking about this, I kind of fell down a rabbit hole googling screenshots of Miss Fisher, Lady Mary and Ariadne Oliver from the Poirot series. Initially, I was looking for the Downtown Abbey necklace that inspired me (no hope of finding that, really, and I didn’t). Before long, though, I got seduced by one costume shot after another. I mean, come on. I want to wear every single one of these outfits. If I can’t do that, I want to make things inspired by them.

Downton Abbey images copyright Carnival Film/Masterpiece; Miss Fisher’s Murder Mystery images copyright Every Cloud Productions; images of Ariadne Oliver in Poirot copyright itv.

I have no point here, other than I’ve had a nice day appreciating the artistry of old things and trying to build on it with new things. See you tomorrow, I’m gonna go make more stuff.

(This is my fifteenth daily post for Blaugust.)